"We really want this to be a giant dance number. We want this to feel like Broadway," says director of cinematography layout Nathan Detroit Warner. By Carolyn Giardina Tech Editor You know the ...

Simply enjoying healthy discussions about not just film, but filmmaking. As a graduate of SFSU's film production program, Jeff aims to bring his knowledge and passion of cinema into his writing. Art ...

Austin Allison is an Animation Feature Writer for Collider. He is also an illustator, avid cartoon watcher, and occasional singer. His karaoke favorites include singing Rainbow Connection as Kermit ...

There are a lot of animated movies. There are also a lot of live-action movies. On occasion, though, those worlds collide. In that classic peanut butter cup style, we get animation in our live-action.

While many shows rely on shortcuts and still frames to reduce animation costs, Ufotable's masterpiece Demon Slayer consistently delivers breathtaking visual spectacles that have raised the bar for the ...

Mixing 2d animation with live action has been a popular approach for movies and series over the years. It has the advantage of combining visual realism with stylized elements, and this mix makes the ...

Laura has been writing about anime for some time. Limited animation in Sakamoto Days is compensated by vivid background music. Stiff and repetitive action scenes in anime historically relied on ...

While working on animated documentary “Flee,” on the forefront of art director Jess Nicholls’ mind were questions of the camera. She had no use for a real one, of course, but that didn’t stop her from ...