An exhibition at the Georgia O'Keeffe Museum includes works by Tewa Pueblo artists, helping dispel the problematic “O’Keeffe ...
The first comprehensive survey of Georgia O’Keeffe’s New York paintings is now on display at the Art Institute of Chicago through September 22, 2024. Created in a male-dominated art world that advised ...
Mar. 23—Georgia O'Keeffe's career is bookended by circles. She drew and painted them often in the 1910s, then in 1946 abandoned the motif, didn't draw or paint them for nearly three decades, then ...
When Alfred Stieglitz first saw Georgia O’Keeffe’s drawings, in 1916, he was so impressed that he reportedly said, “At last, a woman on paper.” On April 9, MOMA opens “Georgia O’Keeffe: To See Takes ...
O’Keeffe painted Evening Star No.III, one in a series of eight paintings, in 1917. The Museum of Modern Art, New York. Mr. and Mrs. Donald B. Straus Fund Georgia O’Keeffe was extremely particular in ...
Georgia O’Keeffe spent her last years in the high desert of New Mexico, a celebrated recluse painting bleached skulls and folds of ruddy earth beneath the spotless blue skies of the American Southwest ...
Sotheby’s auctioned Georgia O’Keeffe’s “Large Dark Red Leaves on White” for $7.8 million alongside other works. The ...
NEW YORK -- Georgia O'Keeffe has never been my favorite painter. I don't have to defend that statement; all of us are entitled to like what we like. And I'm not sure I need to try to understand and ...
Toward the close of a gloomy afternoon in November, 1915, a girl named Anita Pollitzer walked into the little picture gallery at 291 Fifth Avenue where for several years Alfred Stieglitz had been ...
Oct. 6—New York brought Georgia O'Keeffe fame. New Mexico brought her freedom. Among the multiple documentaries created about her, none have given the iconic artist the full biographical treatment, ...
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The Phillips Collection Plans to Deaccession Works by Georgia O'Keeffe, Arthur Dove, and Georges Seurat
The move that has triggered sharp backlash from former curators, members of the Phillips family, and a faction of the museum's governing members board.
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